ImpulsTanz [ENA] In Tempest, Lisbeth Gruwez offers a taut, electrifying solo that treats anger not as something to be tamed or denied, but as a material to be studied, channelled and ultimately transformed. Drawing on Martial Arts, she enters the stage as a “durchlässiger Körper” – a permeable body – stepping straight into the eye of the emotional storm to test how far raw rage can be re‑worked into focused strength.   [Full story...]

ImpulsTanz Festival [ENA] Akemi Takeya’s L’s Uncanny is a riveting, disquieting exploration of transformation as a permanent condition, rather than a single event. The piece unfolds in the “dark zones” of perception—those thresholds where things are no longer what they were, but not yet clearly something else. Takeya inhabits these in‑between states with a precision that is as conceptual as it is visceral.   [Full story...]